In praise of the relative and the digital
Posted on Jan 31st, 2007
by
Duff
There is an always present realm of experience beyond the mind which is analog, infinite, absolute, silent, still, and incategorizable. None of these words can even name it, for all words are relative, digital, auditory, linguistic, and partial.
This absolute experience is easier to access than you might think--get a great massage, practice Vipassana, do cranial sacral or other energy work, or just listen without commentary to great music or view great art with your whole being. Perhaps only a few seconds is possible for you, but it is there, always.
Hang out in this realm long enough (a 10-day retreat, a weekend energy work course, a week in the mountains) and the mind seems insane, completely limiting, confining. From this place, categories seem harsh and cold, cutting up the infinite into tiny boxes, ignoring anything that doesn't fit.
But yet the verbal, the mental, the inner pictures we create are still there, stored in our body-minds and nervous systems and physical surroundings and culture. They create our inner and outer, individual and collective worlds whether we attend to them or not. They bind and constrain us; they hypnotize us into buying things, and buying belief systems (and buying spiritual practices too!); they create skyscrapers and retreat centers; they send us to the heights of joy and fun and excitement and relaxation, and into the depths of depression and war and violence and guilt.
Words do indeed cut up reality into less-than-infinite chunks, as do mental movies, still camera shots (both real and imagined), memories, concepts, art, film, advertising, philosophy, music theory, dharma talks, blog posts, and what we pay attention to in our environment.
But since words (and images and sounds and attention) create our relative realities, they have tremendous power to get us and others out of pain and into pleasure, out of limiting prisons of our minds and into liberating rich worlds to explore and create. Why does cognitive therapy work so well with depression? It enriches the limited map of reality of the depressed client. Now there is more territory in view--more of the analog has been digitized, more of the absolute made relative, leading to less pain and more pleasure.
A thousand symphonies in the palm of my hand. What power! What joy!
Yes, the pleasure is unreal, as is the digitized symphony. But all else being equal, pleasure is better, isn't it?
All fiction is false, by definition. But is not therefore enjoyable, useful, meaningful, even deeply powerful and transformative? Are we to throw out Shakespeare and just sit on our cushions?
Our digital, created worlds are indeed limiting, but sometimes limiting one's scope down from the infinite analog absolute is useful, fun, meaningful, playful, creative, powerful, and loving.
I cannot give my love the real moon, for it is too big anyhow. But a moonlight walk, or a painting of the moon, a reduction of the 7.3477×1022 kg into a bite-sized package, fit for romance.
And in any case, since we are all hypnotized constantly anyhow, why not learn how to hypnotize ourselves and others in empowering, mind-expanding, joy-bringing ways, while simultaneously pointing people towards the door to de-hypnosis and ultimate reality?
To attempt to escape the relative is to kill what is human in us. Not thinking is no solution. Immersing one's self in the absolute can be--if we're not careful--a form of violence against the mind, against the relative, against the world itself...and this violence takes place in the relative world whether you want it to or not. There is no escape. The illusion is real and important--not ultimately important, but important nonetheless.
Embrace the absolute in the relative, the analog in the digital, the emptiness and the pleasure, and skillfully navigate in the world but not of it.
This absolute experience is easier to access than you might think--get a great massage, practice Vipassana, do cranial sacral or other energy work, or just listen without commentary to great music or view great art with your whole being. Perhaps only a few seconds is possible for you, but it is there, always.
Hang out in this realm long enough (a 10-day retreat, a weekend energy work course, a week in the mountains) and the mind seems insane, completely limiting, confining. From this place, categories seem harsh and cold, cutting up the infinite into tiny boxes, ignoring anything that doesn't fit.
But yet the verbal, the mental, the inner pictures we create are still there, stored in our body-minds and nervous systems and physical surroundings and culture. They create our inner and outer, individual and collective worlds whether we attend to them or not. They bind and constrain us; they hypnotize us into buying things, and buying belief systems (and buying spiritual practices too!); they create skyscrapers and retreat centers; they send us to the heights of joy and fun and excitement and relaxation, and into the depths of depression and war and violence and guilt.
Words do indeed cut up reality into less-than-infinite chunks, as do mental movies, still camera shots (both real and imagined), memories, concepts, art, film, advertising, philosophy, music theory, dharma talks, blog posts, and what we pay attention to in our environment.
But since words (and images and sounds and attention) create our relative realities, they have tremendous power to get us and others out of pain and into pleasure, out of limiting prisons of our minds and into liberating rich worlds to explore and create. Why does cognitive therapy work so well with depression? It enriches the limited map of reality of the depressed client. Now there is more territory in view--more of the analog has been digitized, more of the absolute made relative, leading to less pain and more pleasure.
A thousand symphonies in the palm of my hand. What power! What joy!
Yes, the pleasure is unreal, as is the digitized symphony. But all else being equal, pleasure is better, isn't it?
All fiction is false, by definition. But is not therefore enjoyable, useful, meaningful, even deeply powerful and transformative? Are we to throw out Shakespeare and just sit on our cushions?
Our digital, created worlds are indeed limiting, but sometimes limiting one's scope down from the infinite analog absolute is useful, fun, meaningful, playful, creative, powerful, and loving.
I cannot give my love the real moon, for it is too big anyhow. But a moonlight walk, or a painting of the moon, a reduction of the 7.3477×1022 kg into a bite-sized package, fit for romance.
And in any case, since we are all hypnotized constantly anyhow, why not learn how to hypnotize ourselves and others in empowering, mind-expanding, joy-bringing ways, while simultaneously pointing people towards the door to de-hypnosis and ultimate reality?
To attempt to escape the relative is to kill what is human in us. Not thinking is no solution. Immersing one's self in the absolute can be--if we're not careful--a form of violence against the mind, against the relative, against the world itself...and this violence takes place in the relative world whether you want it to or not. There is no escape. The illusion is real and important--not ultimately important, but important nonetheless.
Embrace the absolute in the relative, the analog in the digital, the emptiness and the pleasure, and skillfully navigate in the world but not of it.

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